See article in its original context here by Rebecca Harkins-Cross for The Age.
Dreamers showcases hope in stunning cast led by Helen Morse
A reflective panel hangs at the rear of the stage, casting the real against its warped mirror image. Perceptions of Anne (Helen Morse) and Majid’s (Yomal Rajasinghe) relationship are distorted, too. The apparent transgression of older white woman taking up with a younger black man – both similarly isolated – becomes the focus for a community’s prejudice. Alienated subjects transpose their ennui into hatred.
Dreamers begins where Douglas Sirk’s melodrama, All That Heaven Allows (1955), and Rainer Werner Fassbinder’s reinterpretation, Ali: Fear Eats The Soul (1974), finished. This take isn’t anchored in a specific time or place, stressing continuity with these precursors but taking some sting out of the social critique.
Where those films dealt with class and race, respectively, here they coalesce. The poor man who is content regardless undermines the bourgeois existence, despised just as bitterly as the black other.
Playwright Daniel Keene creates an interplay between melodramatic and poetic modes that’s mirrored in Ariette Taylor’s direction. His observation is shrewd and funny yet has didactic proclivities, which Taylor counters with moments of levity.